{"id":28,"date":"2014-02-12T05:57:11","date_gmt":"2014-02-12T05:57:11","guid":{"rendered":"http:\/\/www.leahmahan.com\/comehellorhighwater\/?page_id=28"},"modified":"2014-03-14T18:02:26","modified_gmt":"2014-03-14T18:02:26","slug":"the-team","status":"publish","type":"page","link":"https:\/\/leahmahan.com\/comehellorhighwater\/about-the-film\/the-team\/","title":{"rendered":"The Team"},"content":{"rendered":"\r\n\t
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Leah Mahan<\/h3>\n

Producer, Director, Cinematographer<\/h4>\n

Leah Mahan<\/a> is an independent documentary filmmaker whose work has been nominated by the Directors Guild of America for Outstanding Directorial Achievement. Leah\u2019s film Sweet Old Song<\/i> (2002) was featured on the PBS series P.O.V.<\/i> and was selected by film critic Roger Ebert to be screened at his Overlooked Film Festival (\u201cEbertfest\u201d). She spent a dozen years making Come Hell or High Water<\/i> and was invited to work on the rough cut at the Sundance Institute Documentary Editing and Story Lab. Her first film was Holding<\/i> <\/i>Ground<\/i>: The Rebirth of Dudley Street. <\/i>Leah\u2019s work has been supported by the Sundance Institute Documentary Fund, Independent Television Service, Ford Foundation and W.K. Kellogg Foundation.<\/p>\n\n\t\t<\/div> \n\t<\/div>

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Jane Greenberg<\/h3>\n

Producer and Editor<\/h4>\n

Jane Greenberg has been working on social issue documentary films since 1996. Much of her work has been broadcast on national public television including two programs she co-produced\u2014Butte, America, the Saga of a Hard Rock Mining Town<\/em> (Independent Lens<\/i>) and Fenceline: A Company Town Divided<\/em> (P.O.V.)<\/i>. She has associate produced a number of high profile documentaries, including the Emmy Award winning School Prayer: A Community at War<\/em>. Come Hell or High Water<\/em> is the first feature documentary she edited. Jane continues to freelance and work on her own projects including Standards of Decency<\/em>, the story of a mentally retarded man on Mississippi\u2019s death row, which received a Sundance Documentary Fund grant.<\/p>\n\n\t\t<\/div> \n\t<\/div>

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Co-Editors<\/h3>\n

William A. Anderson<\/a>, Dawn Logsdon<\/a><\/h4>\n\n\t\t<\/div> \n\t<\/div>
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Composer<\/h3>\n

Derrick Hodge<\/a><\/h4>\n\n\t\t<\/div> \n\t<\/div>
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Additional Editing<\/h3>\n

Sari Gilman<\/a>, Ken Schneider<\/a><\/h4>\n\n\t\t<\/div> \n\t<\/div>
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A full list of credits is available in the Media Kit<\/a>.<\/h3>\n\n\t\t<\/div> \n\t<\/div>
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Come Hell or High Water: The Battle for Turkey Creek<\/strong>\u00a0is a co-production of Zamler Productions, LLC and the Independent Television Service (ITVS), produced in association with Mississippi Public Broadcasting, with funding provided by the Corporation for Public Broadcasting (CPB). The film was also supported by the W.K. Kellogg Foundation, Sundance Institute Documentary Fund, Chicken & Egg Pictures, Fledgling Fund, Berkeley Film Foundation, Just Media Fund, Winograd-Hutner Family Fund, Nu Lambda Trust, LEF Moving Image Fund, Fleishhacker Foundation and individual donors.<\/p>\n\n\t\t<\/div> \n\t<\/div>

<\/div>\n\t\t<\/div> \n\t<\/div> \n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Leah Mahan Producer, Director, Cinematographer Leah Mahan is an independent documentary filmmaker whose work has been nominated by the Directors Guild of America for Outstanding Directorial Achievement. 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